Material is a creative effects processor built around a simple idea: what if you could apply physical forces to sound? *Demo Videos Below
Four macro controls shape your audio through distinct DSP behaviours, each named after the property it simulates:
* PULSE— A stutter engine that rhythmically gates the signal. At low values it adds subtle pulse and snap. Pushed hard, it fractures audio into stuttering, beat-locked fragments.
* REVERSE — A probabilistic reverse engine. At low settings, occasional flips of the audio stream introduce a sense of unpredictability. At high values, the signal is in constant, chaotic flux — playback direction toggling at intervals tied to your DAW's BPM.
* DELAY— A feedback delay set to one beat. Turn it low for a ghost echo that adds depth. Wind it up and the signal builds on itself, accumulating into dense, evolving repetition.
* PITCH — A granular pitch processor based on dual-grain Hann-windowed playback. Unlike traditional pitch shifting, Gravity slows and bends audio downward through sub-sample linear interpolation, producing a viscous, magnetic pull on your sound.
Reacting to the controls, a real-time 3D orb pulses and morphs in response to your audio. Built inside a hardware-accelerated sandbox, the visualizer responds to RMS level, spectral content, and parameter state simultaneously, making Material as expressive to watch as it is to use.
A built-in 3-band EQ (Low Shelf / Peaking Mid / High Shelf) with an asymmetric gain curve — up to −60 dB cut and +12 dB boost — sits in tandem with the signal chain, letting you sculpt the source as effects are applied. EQ values feed both the DSP engine and the orb's visual distribution simultaneously.
Material also ships with an integrated session recorder: capture your plugin output as video, directly to your desktop, no screen-capture software required.
Grab your copy of Material today.
Fischer Music Club. Sound Different!
*Demo Videos Below
Material is a creative effects processor built around a simple idea: what if you could apply physical forces to sound? *Demo Videos Below
Four macro controls shape your audio through distinct DSP behaviours, each named after the property it simulates:
* PULSE— A stutter engine that rhythmically gates the signal. At low values it adds subtle pulse and snap. Pushed hard, it fractures audio into stuttering, beat-locked fragments.
* REVERSE — A probabilistic reverse engine. At low settings, occasional flips of the audio stream introduce a sense of unpredictability. At high values, the signal is in constant, chaotic flux — playback direction toggling at intervals tied to your DAW's BPM.
* DELAY— A feedback delay set to one beat. Turn it low for a ghost echo that adds depth. Wind it up and the signal builds on itself, accumulating into dense, evolving repetition.
* PITCH — A granular pitch processor based on dual-grain Hann-windowed playback. Unlike traditional pitch shifting, Gravity slows and bends audio downward through sub-sample linear interpolation, producing a viscous, magnetic pull on your sound.
Reacting to the controls, a real-time 3D orb pulses and morphs in response to your audio. Built inside a hardware-accelerated sandbox, the visualizer responds to RMS level, spectral content, and parameter state simultaneously, making Material as expressive to watch as it is to use.
A built-in 3-band EQ (Low Shelf / Peaking Mid / High Shelf) with an asymmetric gain curve — up to −60 dB cut and +12 dB boost — sits in tandem with the signal chain, letting you sculpt the source as effects are applied. EQ values feed both the DSP engine and the orb's visual distribution simultaneously.
Material also ships with an integrated session recorder: capture your plugin output as video, directly to your desktop, no screen-capture software required.
Grab your copy of Material today.
Fischer Music Club. Sound Different!
*Demo Videos Below
